1. The most creepy dolls infesting an analog test dimension in Doll's ...
11 sep 2024 · You are tasked to explore a peculiar test space, a dimension made of multiple depths to traverse in order to be teleported to another place.
Doll’s Liminal is a cryptique and hermetique horror roguelike, with simple, functional, and original gameplay. You are tasked to explore a peculiar test space, a dimension made of multiple de…
2. Bestiary | Surreal and Creepy - WordPress.com
11 sep 2024 · Doll's Liminal is a cryptique and hermetique horror roguelike, with simple, functional, and original gameplay. You are tasked to explore a ...
Posts about Bestiary written by ranarif
3. [PDF] The miniature logic of the seventeenth-century Dutch dollhouse
The miniaturizafion of the objects compresses the intricacy of their facture and the potency of their materials while also putting strictures on viewers, ...
4. [PDF] between two worlds: the functions of liminal space in twentieth- century ...
This study intervenes in both anthropology and ontology by revealing artists' use of liminal spaces to challenge hierarchies, redraw subjective boundaries, and ...
5. [PDF] Dark tourism and moral disengagement in liminal spaces
16 jan 2020 · According to Bandura (2002), individuals adopt standards of right and wrong that serve as guides and deterrents for conduct in developing moral ...
6. Psychological Liminal Horror Game 'Dreamcore' Releasing Time ...
22 nov 2024 · Inspired by the Backrooms wiki phenomenon, 'Dreamcore' is a liminal horror game that will have a time-limited demo released next month.
Inspired by the Backrooms wiki phenomenon, 'Dreamcore' is a liminal horror game that will have a time-limited demo released next month.
7. [PDF] Ludic mutation - UvA-DARE (Digital Academic Repository)
sparsely defined backdrop, KiSS dolls float in a liminal, other-worldly void, an empty digital page that invites adult, multi-gender doll play. 4 ...
8. The Pequod: A Doll's House at The Northern Stage - Blog
1 mei 2008 · Like the late nineteenth century, the 1950s were a liminal period when the boundaries of politics were becoming stretched, but it was hard ...
Has ever a dramatist better exploited the discrepancy between what an audience - seeing everything - knows and what a character does, than Henrik Ibsen? Has ever a director better understood the political effect of this double vision than Erica Whyman, with her setting of A Doll's House on a semi-transparent stage? On the evidence of last night's performance at the Northern Stage, I would be prepared to make a case for both Wyman and Ibsen.
